Naturalism and the Empfindsamerstil in 18th-Century Europe
AbstractC.P.E. Bach was the most notable composer of the empfindsamerstil, an 18th-century musical style in Germany that highlights an important change in the production and reception of music. This change is seen in the aesthetic philosophy of this period, which reflects a conflict between old forms of naturalism and a new modality of taste, in which subjective avowals of like or dislike become the criteria for aesthetic judgment. This paper addresses the interrelationship of the empfindsamerstil and aesthetics of its period, providing an account of this conflict between old forms of objective musical codification and a wholly modern account of subjective pleasure.
How to Cite
WHITESIDE, Dean. Naturalism and the Empfindsamerstil in 18th-Century Europe. Vanderbilt Undergraduate Research Journal, [S.l.], v. 4, june 2008. ISSN 1555-788X. Available at: <http://vurj.vanderbilt.edu/index.php/vurj/article/view/2796>. Date accessed: 23 feb. 2019. doi: https://doi.org/10.15695/vurj.v4i0.2796.
Humanities and Social Sciences
Copyright for articles published in this journal is retained by the authors, with first publication rights granted to Vanderbilt Undergraduate Research Journal. By virtue of their appearance in this open access journal, articles are available for wide dissemination at no cost to readers, with proper attribution, in educational and other non-commercial settings. For undergraduates jointly authoring a manuscript with a faculty member, we strongly encourage the student to discuss with the faculty mentor and the Editor if the copyright policy will constrain future publication efforts in professional journals.